Less than the numerous billions of stars within the universe, what varieties will alien existence take? How will they dwell? And what is going to take place after we meet them? extraterrestrial beings: contemporary Encounters collects solutions to those questions from a few of today's most sensible technology fiction writers. From first encounters to existence along aliens—and tales of the aliens' personal lives—here are many futures: violent and peaceable, star-spanning and private. just one factor is sure: alien lifestyles will defy our expectancies.
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Extra info for Aliens: Recent Encounters
Example text
The boy never moved. Finally the pilgrim approached the hollow in the tree and cried loudly, “Master! ” “That it will eat, and there it rests,” came the child’s instant reply. The spirit feeds on that, the holy. It rests there, in the sphere of the sacred. ” It is a single unbroken poem, each hymn or stanza linked to the previous by opening with that verse’s final word. The child poet had studied no grammars, trained himself in no poetic theory, learnt no scripture, sat at the feet of no guru. His songs erupted at the moment of ripeness, interlinked, complete, and without revision.
Finally the pilgrim approached the hollow in the tree and cried loudly, “Master! ” “That it will eat, and there it rests,” came the child’s instant reply. The spirit feeds on that, the holy. It rests there, in the sphere of the sacred. ” It is a single unbroken poem, each hymn or stanza linked to the previous by opening with that verse’s final word. The child poet had studied no grammars, trained himself in no poetic theory, learnt no scripture, sat at the feet of no guru. His songs erupted at the moment of ripeness, interlinked, complete, and without revision.
Masson after commenting on a few of the more evident aspects of the latter poem writes, “I suspect that there is something further in this verse that I . . ” Maybe its author wove a cryptic symbolism through the images, meant to cast the reader into a yogic or mystical state of mind. In the remaining poems the flute is Krishna’s. At the soft forest notes of his bamboo flute the women of Vrindavana itch to leave their houses and join him in the woods, for a night of dancing and lovemaking. I have read anthropologists who believe Krishna’s flute is a holdover from pastoral nomads, or even Ice Age migrations.
