By Elleke Boehmer
Colonial and Postcolonial Literature is the best severe assessment of and ancient advent to colonial and postcolonial literary reports. hugely praised from the time of its first ebook for its lucidity, breadth, and perception, the booklet has itself performed a vital half in founding and shaping this quickly increasing box. the writer, an the world over popular postcolonial critic, presents a wide contextualizing narrative concerning the evolution of colonial and postcolonial writing in English. Illuminating shut readings of texts through a large choice of writers--from Kipling and Conrad via to Kincaid, from Ngugi to Noonuccal and Naipaul--explicate key theoretical phrases resembling "subaltern," "colonial resistance," "writing back," and "hybridity." This revised variation comprises new evaluations of postcolonial women's writing, an accelerated and entirely annotated bibliography, and a brand new bankruptcy and end on postcolonialism exploring keynote debates within the box in relation to sexuality, transnationalism, and native resistance.
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Extra info for Colonial and Postcolonial Literature, 2nd edition
Example text
In 1835 Macaulay strongly supported giving a European education to Indians because of the attendant benefits of encouraging ‘civilized’ behaviour and hence profitable trade among former ‘savages’. The missionary David Livingstone justified his work in Africa by appeal to the ‘two pioneers of civilization’, Commerce and Christianity. In G. A. 27 While allowing for the layering of imperial ideologies, the centrality of the wealth-making drive is hard to miss in most arguments for empire. Prosperity, material improvement, treasure: as the Romans and Spaniards well knew, these were the most desirable prizes of expansion.
Culturally the Edwardian decade was marked, too, by retraction and a new inwardness––a preoccupation with the domestic, the local, the folk, the quintessentially English. The period witnessed an unprecedented efflorescence of children’s literature––writing like E. Nesbit’s The Railway Children (1906) or Frances Hodgson Burnett’s The Secret Garden (1911) which, even so, bore the mark of Britain’s imperial interests. There was apprehension, too, at the effects of what was called miscegenation or racial mixing in the colonies––at creolization, ‘going native’, ‘sinking’ racially.
Alongside rivalry from without, there were threats to colonial 34 | imperialism and textuality power also from within the Empire, most notably with the outbreak of the Indian Mutiny or War of Rebellion of 1857. From this time British imperial policy began to concentrate on firm rule and showed greater caution in reform. It was more openly acknowledged that the strength and security of the Empire had to rest on force, that authoritative control and ‘responsibility’ alone would guarantee its permanence.
