By Brinda J Mehta

Indo-Caribbean girls writers are almost invisible within the literary panorama due to cultural and social inhibitions and literary chauvinism. until eventually lately, the richness and particularities of the reviews of those writers within the box of literature and literary reports have been compromised by way of stereotypical representations of the Indo-Caribbean ladies that have been narrated from a merely masculine or an Afrocentric viewpoint. This booklet fills a huge hole in a massive yet underestimated emergent box. The ebook explores how cultural traditions and feminine modes of competition to patriarchal keep an eye on have been transplanted from India and rearticulated within the Indo-Caribbean diaspora to figure out even if the belief of cultural continuity is, in truth, a postcolonial fact or a fictionalized delusion. kala pani, to Trinidad and Guyana supplied braveness, decision, self-reliance and sexual independence to their literary granddaughters who in flip used the kala pani because the worthy language and body of connection with place Indo-Caribbean woman subjectivity with equating writing as a pubic assertion of one's id and correct to say artistic company. The e-book is of serious curiosity to these attracted to twentieth-century literary reviews, Caribbean reports, gender experiences, ethnic reports and cultural reviews.

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Additional info for Diasporic Dis(Locations): Indo-Caribbean Women Writers Negotiate the ''Kala Pani''

Example text

P]ersons close to the child would be gravely inflicted by intense pain and deep sorrow. . [T]he faith of one and the life of another would be severely handicapped. . [S]uch close juxtapositions of death and life ever brought turmoil – volcanic explosions, upheavals of the earth and sea – Tsunamis” (11). The upheaval caused by the move to establish a sense of self-definition becomes a violation of Hindu prescriptions for girls and women, who are deprived of a specificity of their own by being reduced to communal property.

Chapter 5 demonstrates how the trope of exile constitutes a major theme in twentiethcentury Caribbean writing by providing a valuable basis on which to comprehend the complexities of the postcolonial Caribbean exilic predicament that has been shaped by the disenfranchising forces of colonialism and mass migration, racism, sexism and class stratifications. However, reflections on exile have characterized a predominantly male-defined Indo-Caribbean literary tradition in which the experiences of women have received marginal attention.

Female identity is constructed through the mediation and contestation of an indigenous and colonial patriarchy and an accommodation of Hindu tradition while adjusting to colonial education and creolization. This accommodation results in an ultimate break with tradition, symbolized by a postcolonial kala pani crossing to North America in search of a recuperated self that transgresses confinement through immigration. Set in rural Trinidad in the mid-1950s, Sastra and Butterfly in the Wind are novels of female initiation into Hindu womanhood.

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