By Hunter S. Thompson

The definitive number of the king of gonzo journalism’s best paintings for ROLLING STONE “Buy the price ticket, take the ride,” was once a favourite slogan of Hunter S. Thompson, and it pretty well outlined either his paintings and his existence. worry and Loathing at Rolling Stone showcases the roller-coaster of a occupation on the journal that used to be his literary domestic. Jann S. Wenner, the outlaw journalist’s good friend and editor for almost thirty-five years, has assembled articles that commence with Thompson’s notorious run for sheriff of Aspen at the Freak social gathering price ticket in 1970 and finish along with his ultimate piece at the Bush-Kerry showdown of 2004. In among is Thompson’s amazing assurance of the 1972 presidential campaign—a miracle of journalism lower than pressure—and lots of cognizance paid to Richard Nixon, his b?te noire; encounters with Muhammad Ali, invoice Clinton, and the great Bowl; and a long excerpt from his said masterpiece, worry and Loathing in Las Vegas. Woven all through is chosen correspondence among Wenner and Thompson, so much of it by no means earlier than released. It strains the evolution of a private dating that helped redefine glossy American journalism, and likewise offers Thompson via a brand new prism as he pursued his lifelong obsession: The existence and dying of the yank Dream.

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Additional info for Fear and Loathing at Rolling Stone: The Essential Writing of Hunter S. Thompson

Sample text

Our program, basically, was to drive the real estate goons completely out of the valley: to prevent the State Highway Department from bringing a four-lane highway into the town and, in fact, to ban all auto traffic from every downtown street. Turn them all into grassy malls where everybody, even freaks, could do whatever舗s right. The cops would become trash collectors and maintenance men for a fleet of municipal bicycles, for anybody to use. No more huge, space-killing apartment buildings to block the view, from any downtown street, of anybody who might want to look up and see the mountains.

Yes . . of course . . that bastard Edwards had brought in a bunch of ringers. But then he looked again ... and recognized, at the head of the group, his ex-drinkalong bar-buddy Brad Reed, the potter and known gun freak, 6舗 4舡 and 220, grinning down through his beard and black hair-flag ... saying nothing, just smiling . . Great God, he knew the others, too ... there was Don Davidson, the accountant, smooth shaven and quite normal-looking in a sleek maroon ski parka, but not smiling at all ...

We were deep into politics and shared the same ambition to have a voice in where the country was going (thus the 舠National Affairs Desk舡). We became partners in this as well, as mad as it may have seemed at the time舒a rock-and-roll magazine and a man known for writing about motorcycle gangs, joining forces to change the country. 舡 It was scorching, original, and it was fun. He was my brother in arms. Now those days are gone. I still feel deeply in debt to him, and I never seem to stop working for him.

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