By Neil McCaw
During this new research of George Eliot's fiction, textual makes an attempt to visualize a coherent and unified nationwide previous are obvious as generating a contradictory imaginative and prescient of Englishness. it's a historiographical nationwide id, developing a dead ringer for main, and conflicting, developments within the Victorian writing of heritage. The inherent uncertainty attributable to the shift among various perceptions of English background leads, in later fiction, to an abandonment of contemporaneous grand narratives. The end result is a background that anticipates a extra smooth, radical philosophy of historical past.
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Extra resources for George Eliot and Victorian Historiography: Imagining the National Past
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Factors such as subject field, methodology, social background and the relative professionalism of the historian are all relevant signifiers of difference. They divide historians such as Freeman, Green, Macaulay, Stubbs and Acton (who will feature in these chapters) from each other just as much as they do from other key nineteenth-century historians such as Carlyle or Froude (who will feature later). The subject field of Victorian historical writing is a polyphony of overlapping, while also distinctly individual, voices.
So is the wealth of research into Renaissance Florence for Romola,48 the diligence apparent in wading through newspaper archives for Felix Holt,49 and the copious notes on gambling and superstition researched from Cornhill50 (later used in Middlemarch and Daniel Deronda). This reveals an extraordinary concern for ‘the truth’, an attempt to ensure that, as far as possible (and beyond attempts at verisimilitude prevalent in other comparable literary works), Eliot’s literary fictions were accurate, and thus realistic.
Blaas has revealed, post-1880s, and has even been prevalent in the twentieth century. com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-03-15 Imagining the National Past George Eliot and Victorian Historiography exam syllabuses ‘the interpretive structure is broadly speaking a “Whig” one . . 14 Anyone who has enthusiastically engaged with the insistent fable of British advancement in a secondary-school classroom knows this to be true. 16 The progressive forward movement of the national history, keeping within the parameters set by its own traditions, can be viewed as paradigmatic.
