By Stewart R, Professor Craggs
John eire (1879-1962) was once one of many major composers of the English Musical Renaissance on the finish of the 19th century and starting of the 20 th century. Born of literary mom and dad in Bowdon, close to Manchester, he went to London on the age of fourteen to check on the newly-founded Royal collage of tune the place he ultimately grew to become a scholar of Charles Villiers Stanford. between his close to contemporaries on the university have been Ralph Vaughan Williams, Gustav Holst, Thomas Dunhill, William Y. Hurlstone, Henry Walford Davies and Samuel Coleridge-Taylor. eire is better identified for his songs (such as Sea Fever, The Bells of San Marie and the cycle of Housman settings, The Land of misplaced Content), his piano and chamber tune, his church song and his particularly small variety of choral, orchestral and brass band works.
This catalogue of Ireland's compositions, a revised and enlarged variation of the only released in 1993 by way of the Clarendon Press (Oxford college Press), in organization with the loo eire belief, lists his compositions from 1895 to 1961. complete information are given of dates of composition; humans or our bodies chargeable for a work's fee; instrumentation; first functionality; guides; situation of the autograph manuscript; serious remark within the bibliography from the modern press and track journals, and recordings on compact disc. Appended is a common bibliography and labeled index of major works. a listing of personalia offers information of individuals attached with eire and his song in the course of his lifetime.
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Extra info for John Ireland: A Catalogue, Discography and Bibliography
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Ltd. [Score © 1903] Manuscript: Manuscript Collections, The British Library (Reference Division), Add. MS 54411, ff. 9–12 Recordings: K. Barritt (violin) and C. 1903–1911 SONGS OF A WAYFARER Song cycle for voice and piano 1. Memory (Con moto) [1’58”] Text: William Blake (1757–1827), from Poetical Sketches (1783) 2. When daffodils begin to peer (Allegro con moto) [2’06”] Text: William Shakespeare (1564–1616), from A Winter’s Tale (1611): Act iii, scene iv 3. English May (Allegretto) [2’47”] Text: Dante Gabriel Rossetti (1828–82), first published 1886.
J. O’Reilly First performance: London, Royal Albert Hall, 6 January 1912. Harry Dearth (baritone) and either S. A. ) Publication: Boosey & Co. Ltd. Vocal score © 1912 2 versions were published: in B flat and C major Manuscript: whereabouts unknown Other Version Here’s to the Ships! 0/timpani/percussion (1)/strings First performance: unable to trace Unpublished Manuscript: Manuscript Collections, The British Library (Reference Division), Add. MS 52897, ff. 9–19: Full score with conductor’s markings.
Written in ink and marked up in pencil for engraving with tonic sol-fa notation added in red ink AT EARLY DAWN Song for 2-part chorus (SA) and piano Text by James Vila Blake (from the German) First performance: unable to trace Publication: J. Curwen & Co. Ltd. Vocal score © 1911 (Choruses for Equal Voices no. 1333). Also published as ‘We hardly see the sunbeam yet’ Manuscript: whereabouts unknown CATALOGUE OF WORKS · 29 HILLO, MY BONNY Song for voice and piano, written under the pseudonym of Turlay Royce Text by James Vila Blake First performance: unable to trace Publication: Chappell & Co.
