By Elizabeth Hand
This is often Elizabeth Hand's long-awaited choice of brief tales, established round her Nebula and international myth Award-winning novella The final summer season at Mars Hill. There are 12 items in all right here, starting from these first released in locations like Interzone and Pulphouse to a two-page poem taken from the pages of Asimov's. even if many readers could be acquainted with Hand's longer works, equivalent to Glimmering or Waking the Moon, right here she exhibits that she's a grasp of brief fiction besides. Her fashionable prose and prepared insights make for a few really good tales. --Craig E. Engler
Contents:
• “Last summer season at Mars Hill” copyright © 1994 through Elizabeth Hand. First seemed in fable and technology Fiction, August 1994.
• “The Erl King” copyright © 1993 by way of Elizabeth Hand. First seemed in complete Spectrum four, edited by way of Lou Aronica, et al.
• “Justice” copyright © 1993 via Elizabeth Hand. First seemed in delusion and technology Fiction, July 1993.
• “Dionysus Dendrites” © 1993 by means of Elizabeth Hand. First seemed in Isaac Asimov’s journal of technological know-how Fiction, June 1993.
• “The Have-Nots” © 1992 via Elizabeth Hand. First seemed in Isaac Asimov’s journal of technological know-how Fiction, June 1992.
• “In the Month of Athyr” © 1992 by means of Elizabeth Hand. First seemed in Omni’s top technology Fiction , edited through Ellen Datlow.
• “Eagels Unaware” © 1992 by means of Elizabeth Hand. First seemed in Interzone, December 1992.
• “The Bacchae” © 1991 by way of Elizabeth Hand. First seemed in Interzone, July 1991.
• “Snow on Sugar Mountain” © 1991 through Elizabeth Hand. First seemed in complete Spectrum three, edited through Lou Aronica, et al.
• “On the city Route” © 1989 via Elizabeth Hand. First seemed in Pulphouse, Fall 1989.
• “The Boy within the Tree” © 1989 through Elizabeth Hand. First seemed in complete Spectrum 2, edited by means of Lou Aronica and Shawna McCarthy.
• “Prince of Flowers” © 1988 via Elizabeth Hand. First seemed in Twilight quarter, February 1988.
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Extra info for Last Summer at Mars Hill and Other Short Stories
Example text
Behind an inscription, my dear sir, there is also an entire people! But behind any of these poems there is nothing but a whim. So then, who will guarantee for us that the same ex pression does not change its meaning radically from one instance to the next? In the separate compositions, or in the very same composition there is, I beg you to observe, not one word which is repeated twice throughout all three poems. ” “ I beg your pardon, I beg your pardon,” the great critic shouted, beside himself, “it is just because of this that the problem is quickly resolved.
By its very nature, a result can be evaluated only in terms of the means employed. Except with God, absolute results do not exist, and the very concept of a result is a relative concept. Results range along an infinite ideal scale, though inside the limits of a single moral value. But let us not digress. ” A tomblike silence had fallen in the office of the great critic. Letting his eyes stare into the void, he pretended not to have heard my question. ’ “ I have only one poem with me,” faltered Y.
You can’t get out of it that easily. Now you’re in danger of relying on a sophism yourself. You are taking it for granted that what is involved is a work of art. But this is precisely what has to be examined: where and what are the criteria you use for your evaluation? Let me sum up my preceding argument. When I said that an inscription has behind it and implies a complex of norms, I meant also that certain of its purely linguistic data are enforced and supported by a knowledge which is not exclusively linguistic: I refer to ethnic knowledge.
