By Roger Stahl
Militainment, Inc. deals provocative, occasionally stressful perception into the ways in which battle is gifted and considered as entertainment—or "militainment"—in modern American pop culture. conflict has been the topic of leisure for hundreds of years, yet Roger Stahl argues new interactive mode of militarized leisure is recruiting its viewers as virtual-citizen squaddies. the writer examines quite a lot of old and modern media examples to illustrate the ways in which conflict now invitations audiences to go into the spectacle as an interactive player via quite a few channels—from information insurance to on-line games to truth tv. easily positioned, instead of providing battle as anything to be watched, the recent interactive militainment provides warfare as whatever to be performed and skilled vicariously. Stahl examines the demanding situations that this new mode of militarized leisure poses for democracy, and explores the controversies and resistant practices that it has encouraged. This quantity is vital examining for a person drawn to the connection among conflict and media, and it sheds striking mild at the connections among digital battlefields and the foreign conflicts unfolding in Iraq and Afghanistan at the present time.
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Extra info for Militainment, Inc.: War, Media, and Popular Culture
Sample text
80 Masses of people joined long-distance relief efforts, and donors turned out in high numbers to give blood. 82 Lauded for their personal sacrifice, both Beamer and Tillman R FO TI U IB TR IS D N O 11:09:06:10:09 Page 39 Page 40 40 All-Consuming War T O N stood as metonymic symbols of the new American citizen-soldier. ” This seeming revival of the citizen-soldier, however, occurred largely in accordance with the logics of a highly evolved military-media complex. The direction of post-industrial war had increasingly opened up a vast capillary network of military-media channels—from Vietnam’s television war through the real-time war of Desert Storm and on into the new century.
When the new participatory urge gripped the polity, this complex of channels stepped in to offer an array of prescribed modes through which this urge could be exercised. Rather than civilizing the military, which is the ultimate aim of the citizensoldier ideal, power flooded in the opposite direction, from high to low ground and toward the militarizing of the civic field. The most visible instance of this new model was the relationship between the military and journalism, which was soon characterized through “embedded reporting,” a discourse explored in depth in Chapter 3.
26 This new media war, with its imperative to both physically and televisually hide the body, thus conformed more to the idiom of the “perfect crime” than to war. Here, perpetrators had successfully erased all trace of that which anchors war to the moorings of the real. The clean war also eliminated the body from the language of warfare through the mobilization of euphemism. ” Rather than a battleground, they did so as if in a sterile room, a “theater of operation” where violence is regrettably necessary in the service of life.
