By Harlan Ellison
Robert Heinlein says, "This ebook is uncooked corn liquor--you should still serve a whiskbroom with every one shot so the client can brush the sawdust off after he will get up from the floor." maybe a mooring cable may additionally be further as priceless apparatus for examining those 8 significant tales: They not just knock you down...they increase you to the celebrities. ardour is the keynote as you come across the Harlequin and his nemesis, the scary Tictockman, in a single of the main reprinted and extensively taught tales within the English language; a pyretic who creates fireplace purely via keen it; the final general practitioner in a global of robotic physicians; a spaceship choked with hideous mutants rejected by means of the realm that gave them beginning. Touching and delicate and surprising tales from an incomparable grasp of very unlikely goals and troubling truths. "Harlan Ellison is the darkish prince of yankee letters, slicing via our corrupted middle of the night fog with a switchblade prose. He easily needs to be read." --Pete Hamill "Ellison writes with sensitivity in addition to guts--a infrequent combination." --Leslie Charteris, author of The Saint
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Extra resources for Paingod and Other Delusions
Sample text
22 The New Russian Poets Eme B ohtch BbicoTbi: Moji, c BbicoTbi jierKO copBaTbca H B B bicb y>K jiymue He coBaTbcn... Eme B ohtch npocTOTbi: Moji, nonpocTy He CTO;iKOBaTbCH. Eme B ohtch HaroTbi, X O T b (J)HrOBbie JIHCTbl CMeUIHbl, HT06 HMH npHKpblBaTbCH. Eme B ohtch KpacoTbi, B ohtch c Hefi conpHKacaTbca: Moji, oneHb TpyAHO pasoGpaTbca, Kax 6yATO dbi b r;ia3ax abohtch Ee 6;iecT3mHe nepTbi. O T C io A a — ^AeHbji h n o c T b i. O Tbi, FIpOCTaK, H o h m h yue Tbi: Tbi b py^ H Lue jim eH H m eTbi 3 a K poxaM H B C T a e m b b x b o c t m , Kor^a KpyroM t b o h G o raT C T B a , T b o h c o K p o B w m a TaaTCH, T b o h T p y A b i, T boh m c h t h .
The poem is hardly typical of other Soviet work, and could only have been published in one of the “ underground” magazines— in this case Phoenix I. Leonid Gubanov, the youngest of all, is just beginning to publish. In his latest poems he seems to be influenced by Khlebnikov. He has already been in trouble. It is to be hoped he has a strong backbone. The themes most of these poets have in common are the memories of war and suffering, Russian nature, a sense of com passion for the ordinary man, a renewal of the love theme, hatred of falsehood and corruption, a desire to find a new justification and ideal for the Revolution, and the need to insist on the in tegrity of the artist.
I’ve been resurrected since: of normal stature, normal weight— I’ve become like other men. I’m cheerful, kind. I do not break the backs of chairs, And, nevertheless, I’m Hercules. The New Russian Poets M CHOEa B He6e BbiOTCH nTHUbi: CHHHUbI, TojiyGH, C tphjkh... ibi, tohkh, pySe^KH! 3 h , Bbi! BecCMHCJieHHO He Beifrecb! PaBHHMTecb TaM k n^eny ruieno, Ha TpeyrojibHHKH pa36ewTecb, CocTaBbTe HT0-HH6yAb em e! iH. HeyTeuiHTe^bHo! nena^bHo! B m x o a h t , h t o y n p a B b i HeT. JleT aiO T , n a n nepBO H anajibH O — ToMy H a 3a A c t o t h c h h a c t !
