By Mary Anne Pilger
This up-to-date fourth variation of a favored reference for lecturers, scholars, mom and dad, and librarians is especially precious find actions worthwhile in school demonstrations, technological know-how festivals, and lab tasks. it truly is geared up via topic quarter and undertaking, and it lists technology phrases, ideas, and experiments. There are over 7,000 entries during this new version with over three hundred new books listed. Books may be positioned via either topic and writer indexes. prior versions were good bought and reviewed. Grades K-8.
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For Op. 15/4, Op. 25/4-6, Op. 28/2; Op. 36/1–3, and Op. 54/1–2, see Single Works and Collections. Below are four very early pieces not available in other editions, and three pieces from two sets not available in their entirety. Mamma’s Waltz (WoO). Level: Early Intermediate. (F major, 3/4, 4 pp). Composed at age four, notated for her by her mother. An extended rondo with three separate but related themes in three keys of startling complexity and structural skill for a toddler. Homophonic texture, triadic melody, waltz bass, with contrasting shifts in register and numerous secondary dominants.
A melancholy theme and variations, progressively more complex and brilliant. Op. 15/2. Phantoms. [“All fragile flowers, as soon their deaths as their births”] Level: Early Advanced. (A major, 3/8, allegretto scherzando, 3 pp). Ternary, with B a graceful contrast to the playful, will-o-thewisp A sections. Op. 15/3. Dreaming. [“You speak to me from the depths of a dream”]. Level: Early Advance. (G-flat major, common time, andante con molto espressione, 5 pp). In this Lied for the piano, the tonality, the sustained melody, and its quiet accompaniment are like Schubert’s Impromptu, < previous page page_20 next page > < previous page page_21 next page > Page 21 Op.
C major, 6/8, tranquillo e sempre legato). Through-composed. Flowing 8th note arpeggios and melody notes alternate between hands, simulating the dip of the paddle on each side of the canoe. Secondary dominants, a temporary key change, and register shifts provide color and a few rocky places in the flowing stream. Piano Music, intro. Glickman, No. 10 in the Women Composers Series, (Da Capo Press, 1982). This wonderful collection of virtuoso works was unfortunately out of print by 1997. However, it is still available in many libraries, and contains the following works, many of which are available as single works or in other collections: Op.
