By Jane Yolen
In those twenty-eight superb stories, which come with Nebula Award winners, Jane Yolen places a provocative spin on everyday storybook worlds and liked fairy story characters
One of the main acclaimed and venerated authors in technological know-how fiction and delusion, Jane Yolen has been referred to as “the Hans Christian Andersen of America” for her fantastic reimagining of vintage fairy stories. In her first number of brief tales written for an grownup viewers (after stories of ask yourself and Dragonfield), Yolen explores issues of freedom and justice, fact and final result, and brings new existence to our such a lot loved fables and myths.
Here are storybook nation-states rendered extra modern, and cautionary stories made grimmer than Grimm: Snow White is transported to Appalachia to check wits with a snake-handling evil stepmother and Beauty’s assembly with the Beast takes a twisty, O. Henry–esque flip; in Yolen’s Nebula Award–winning “Lost Girls,” a feminist insurrection rocks Peter Pan’s Neverland and within the collection’s excellent identify story—also a Nebula winner—the poet Emily Dickinson gets a few unforeseen and otherworldly thought. occasionally darkish, occasionally humorous, and continuously enchanting, Sister Emily’s Lightship is evidence confident that Yolen is actually a folklorist of our times.
This e-book encompasses a own heritage by means of Jane Yolen together with infrequent pictures from the author’s own assortment, in addition to a word from the writer in regards to the making of the ebook.
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Extra resources for Sister Emily's Lightship and Other Stories
Sample text
Behind an inscription, my dear sir, there is also an entire people! But behind any of these poems there is nothing but a whim. So then, who will guarantee for us that the same ex pression does not change its meaning radically from one instance to the next? In the separate compositions, or in the very same composition there is, I beg you to observe, not one word which is repeated twice throughout all three poems. ” “ I beg your pardon, I beg your pardon,” the great critic shouted, beside himself, “it is just because of this that the problem is quickly resolved.
By its very nature, a result can be evaluated only in terms of the means employed. Except with God, absolute results do not exist, and the very concept of a result is a relative concept. Results range along an infinite ideal scale, though inside the limits of a single moral value. But let us not digress. ” A tomblike silence had fallen in the office of the great critic. Letting his eyes stare into the void, he pretended not to have heard my question. ’ “ I have only one poem with me,” faltered Y.
You can’t get out of it that easily. Now you’re in danger of relying on a sophism yourself. You are taking it for granted that what is involved is a work of art. But this is precisely what has to be examined: where and what are the criteria you use for your evaluation? Let me sum up my preceding argument. When I said that an inscription has behind it and implies a complex of norms, I meant also that certain of its purely linguistic data are enforced and supported by a knowledge which is not exclusively linguistic: I refer to ethnic knowledge.
