By Arthur Conan Doyle
The 1st collections of news concerning the recognized detective Sherlock Holmes and his good friend Dr Watson of their adventures of fixing crimes in Victorian England.
The booklet comprises 23 tales with 2 hundred illustrations by way of Sidney Paget.
The Adventures of Sherlock Holmes:
1) A Scandal in Bohemia.
2) The Red-Headed League.
3) A Case of id.
4) The Boscombe Valley secret.
5) The 5 Orange Pips.
6) the fellow with the Twisted Lip.
7) the journey of the Blue Carbuncle.
8) the journey of the Speckled Band.
9) the journey of the Engineer's Thumb.
10) the journey of the Noble Bachelor.
11) the journey of the Beryl Coronet.
12) the journey of the Copper Beeches.
The Memoirs of Sherlock Holmes:
1) Silver Blaze;
2) the journey of the Yellow Face;
3) the journey of the Stock-broker’s Clerk;
4) the journey of the ‘Gloria Scott’;
5) the journey of the Musgrave Ritual;
6) the journey of the Reigate Squire;
7) the journey of the Crooked guy;
8) the journey of the Resident sufferer;
9) the journey of the Greek Interpreter;
10) the journey of the Naval Treaty;
11) the ultimate challenge.
Read or Download The Adventures and Memoirs of Sherlock Holmes - books 1 and 2 (illustrated) PDF
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Additional resources for The Adventures and Memoirs of Sherlock Holmes - books 1 and 2 (illustrated)
Sample text
The boy never moved. Finally the pilgrim approached the hollow in the tree and cried loudly, “Master! ” “That it will eat, and there it rests,” came the child’s instant reply. The spirit feeds on that, the holy. It rests there, in the sphere of the sacred. ” It is a single unbroken poem, each hymn or stanza linked to the previous by opening with that verse’s final word. The child poet had studied no grammars, trained himself in no poetic theory, learnt no scripture, sat at the feet of no guru. His songs erupted at the moment of ripeness, interlinked, complete, and without revision.
Finally the pilgrim approached the hollow in the tree and cried loudly, “Master! ” “That it will eat, and there it rests,” came the child’s instant reply. The spirit feeds on that, the holy. It rests there, in the sphere of the sacred. ” It is a single unbroken poem, each hymn or stanza linked to the previous by opening with that verse’s final word. The child poet had studied no grammars, trained himself in no poetic theory, learnt no scripture, sat at the feet of no guru. His songs erupted at the moment of ripeness, interlinked, complete, and without revision.
Masson after commenting on a few of the more evident aspects of the latter poem writes, “I suspect that there is something further in this verse that I . . ” Maybe its author wove a cryptic symbolism through the images, meant to cast the reader into a yogic or mystical state of mind. In the remaining poems the flute is Krishna’s. At the soft forest notes of his bamboo flute the women of Vrindavana itch to leave their houses and join him in the woods, for a night of dancing and lovemaking. I have read anthropologists who believe Krishna’s flute is a holdover from pastoral nomads, or even Ice Age migrations.
