By John McPhee
The John McPhee Reader, first released in 1976, is created from choices from the author's first twelve books. In 1965, John McPhee released his first e-book, A feel of the place You Are; a decade later, he had released 11 others. His fertility, his precision and beauty as a stylist, his wit and uncanny brilliance in determining subject material, his crack storytelling abilities have made him into considered one of our greatest writers: a journalist whom L.E. Sissman ranked with Liebling and Mencken, who Geoffrey Wolff stated "is bringing his paintings to degrees that experience no measurable limit," who has been referred to as "a grasp craftsman" such a lot of occasions that it really is unnecessary to quantity them.
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Extra info for The John McPhee Reader
Example text
In teaching “the application of creative writing techniques to journalism and other forms of non-fiction,” as the catalogue statement declares, McPhee often refers to his own books. Yet he also has the students interview visitors, research set pieces, and submit ten compositions, which he discusses in private conferences. The course does not prescribe his working procedures, since he does not believe one writer’s method should be a recipe for another. The New Yorker encourages this tolerance, for as its staff writer McPhee holds one of the most liberated jobs in modern journalism.
McPhee cherishes his family, has no agent, gives few interviews, poses for even fewer photos. His portrait has never appeared on a book jacket—and never will, if he has his way. Why the modesty? In part, because McPhee is a shy man who treasures his privacy. His books depict similar “isolatoes,” as Melville called them, like Bill Wasovwich in The Pine Barrens. Yet like Bill’s friend, the ebullient Fred Brown, McPhee also has an ample gregarious streak. A good reporter, he moves through crowds easily, absorbing names, details, snatches of talk.
The process is nerve-racking and lonely. His family sees less of him, he also cuts off most visitors and phone calls. Sometimes he talks to editors or friends about problems, but then generally follows his own counsel. Facing the typewriter for long stretches, he generates excess energy like a breeder reactor. A fly buzzing at sun-struck windows is not more manic, and often hard physical exercise is a welcome distraction. ” In fact, he is capable of great intensity on the court, but he dislikes opponents who are arrogant or childish.
