By Ayn Rand

EDITORIAL overview: hardly has a author and philosopher of the stature of Ayn Rand afforded us entry to her so much intimate innovations and emotions. From *Journals of Ayn Rand*, we achieve a useful new knowing and appreciation of the girl, the artist, and the thinker, and of the long-lasting legacy she has left us. Rand comes vibrantly to existence as an untried screenwriter in Hollywood, growing tales that mirror her younger imaginative and prescient of the realm. We see her painful stories of communist Russia and her struggles to conveyy them in *We the Living*. so much attention-grabbing is the complicated, step by step strategy wherein she created the plots and characters of her masterworks, *The Fountainhead* and *Atlas Shrugged*, and the years of painstaking examine that imbued the novels with their strong authenticity. whole with reflections on her mythical screenplay in regards to the making of the atomic bomb and tantalizing descriptions of tasks reduce brief through her demise, *Journals of Ayn Rand* illuminates the brain and center of a rare lady as no biography or memoir ever may. On those bright pages, Ayn Rand lives.

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Such was the sense of life not only of a young immigrant in her twenties ho was brimming over with new ideas, but also of a philosopher in her sev enties, who had lived consistently by every one of her ideas. Such was the sense of life of an artist “alone in an enemy world,” who had already endured her greatest disappointments—and created her greatest achievements. As David Harriman puts it in his eloquent conclusion: “Ayn Rand has come full circle. She returned at the end to [the] problem [of irrational people] that had concerned her from the beginning....

Dick introduces Bill to Hetty. The bonus money—for the marriage of Dick and Hetty. The night of the finish. Bill’s energy. (Dick in Bill’s power. ) Hetty breaks her engagement to Dick. Bill-Hetty. Bill is fired. Bill saves the building from the fire. A bum works on a skyscraper to take his revenge. He becomes a man under the influence of his enemy, the superintendent. He loves the superintendent’s fiancée. Think from: Bill getting ready to kill Dick and what follows. Dick’s good deed to him—their friendship.

Darrow, her father. That night, Kenneth is watching over the hotel and surveying the Chinese camp. All seems quiet, when he suddenly sees two Chinamen climbing up the old stone wall towards Ellen’s window. He rushes to Ellen’s room and enters it noiselessly. Ellen is asleep. For a moment he looks at her, forgetting the enemies and everything. Then, mastering himself, he goes to the window and shoots at the Chinamen, just as they are approaching. One is killed; the other—Jung-Tzan—runs away. Ellen wakes up and runs to Kenneth in terror.

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