By Ann Ommen van der Merwe
The Ziegfeld Follies: A historical past in Song offers an account of the Follies during the musical productions inside the express. having access to basic assets comparable to magazines and extant courses, Ann Ommen van der Merwe has conscientiously researched the Follies, reconstructing the songs, dances, and content material of every annual creation from 1907 to 1931, offering precise descriptions of track performances. In so doing, the booklet demonstrates the $64000 function of tune in facilitating the comedy and spectacle for which the Follies are greater known.
Ommen van der Merwe takes a wide, chronological method of the cloth, addressing such concerns as musical sort, lyrics, and staging of person songs. within the technique, she identifies the historic trajectory of the Ziegfeld Follies, delineating classes inside its historical past just like the improvement of the construction values Ziegfeld was once recognized for, the luck of his spectacles, his edition to altering occasions, and his legacy. She additionally considers the cultural and function background of the Follies and its mirrored image of the society during which it built. An appendix lists the composer, lyricist, writer, and performer of every Follies track, in addition to a library assortment or archive the place a duplicate can be chanced on. The booklet additionally contains a choice of pictures, a opt for discography, bibliography, and indexes, through track name and common topic.
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Additional info for The Ziegfeld Follies: A History in Song
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See Max Hoffman and Edward Madden, "My Cigarette" (New York: Rogers Brothers Music Publishing Company, 1907), listed in Margaret M. Mott, "A Bibliography of Song Sheets: Sports and Recreations in American Popular Songs: Part I," Notes (June 1949), 379-418. 11. Vincent Bryan and E. Ray Goetz, "Re-Incarnation" (New York: Shapiro, 1907), HRC. 12. Will D. Cobb and Gus Edwards, "On the Grand Old Sands" (New York: Gus Edwards, 1907), HRC. 13. This most likely refers to Dickinson College in Carlisle, Pennsylvania.
46. "'Floradora' Girl a Peeress," New York Times, 20 February 1906 (PQ). 47. com/doc/fe986bba-0ea6-4bed-88de-cf76e67377cc/Nora-Bayes--JackNorworth---Rosa-Rosetta-1910-Victor-70019-take-2 (8 August 2007). 48. " Robert Baral, Revue (New York: Fleet Press Corporation, 1962), 46. Richard and Paulette Ziegfeld also characterize the song in this manner in their biography of Ziegfeld. Notably, they also identify Jack Norworth as a featured performer, which was not true during the initial run. Richard Ziegfeld and Paulette Ziegfeld, The Ziegfeld Touch: The Life and Tines of Florenz Ziegfeld,Jr.
78. Lester S. : University of Oklahoma Press, 1975), 30. Levy's account correlates with a report of a rare instance in which Tetrazzini was forced to miss a performance; see "Mme. Tetrazzini I11 in Pittsburgh," New York Times, 25 December 1909 (PQ). 36 - Chapter One 79. Pollock's account lists nine impersonators, the libretto indicates eight, and several other critics allude to six. Six seems the most likely number, not only because it appears in multiple sources, but also because multiple sources-including Pollock-recount six impersonations of other characters in the scene, characters from J.
