By Travis Langley

A trip in the back of the masks and into the brain of Gotham City’s Caped Crusader, timed for the summer season 2012 free up of The darkish Knight Rises

Batman is without doubt one of the such a lot compelling and enduring characters to return from the Golden Age of Comics, and curiosity in his tale has merely elevated via numerous incarnations considering the fact that his first visual appeal in Detective Comics #27 in 1939. Why does this superhero with no superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores those and different fascinating questions on the masked vigilante, together with: Does Batman have PTSD?  Why does he struggle crime? Why as a vigilante? Why the masks, the bat, and the underage associate? Why are his such a lot intimate relationships with “bad women” he should lock up? And why will not he kill that homicidal, green-haired clown?

  • Gives you clean insights into the complicated internal international of Batman and Bruce Wayne and the lifestyles and characters of Gotham City
  • Explains mental concept and ideas in the course of the lens of 1 of the world’s most well liked comedian e-book characters
  • Written via a psychology professor and “Superherologist” (scholar of superheroes)
  • Show description

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Extra info for Batman and Psychology: A Dark and Stormy Knight

Example text

Among superhero shows, Batman was something new. Actors who could deliver the silliest lines straight-faced proved critical to the series’ success. ”6 West became their square, hard-nosed Batman. Adults got the jokes, kids got a kick out of seeing heroes fight bad guys, and it worked as intended. The show rarely ventured into any overt psychological issues. ”7 Even when it did, the deliberate farce had no need for accurate depiction of mental illness or its treatment. Mind control popped up in several episodes, in no way resembling any real-world hypnosis or brainwashing techniques.

His enemies reflect and distort facets of himself. He’s smug, he’s sly, he’s so intimidating that he can enter a room full of people who can fly, read minds, cast spells, or run faster than light, and yet they’re the ones daunted by him—and that’s what we love. Strong and smart, unfettered by fiscal limitations or anybody else’s rules, he brings a deep wish of ours to life. Batman’s the part of us that wants to scare all of life’s bullies away. In creating bright, shining Superman, Jerry Siegel and Joe Shuster caught lightning in a bottle.

Now he sits home alone in the dark until the Bat-Signal flips his Batman switch and his ideal self springs to life. Selina must enter his life before he’ll consider revisiting Gotham’s social scene. This anti-heroine who challenges Batman as Catwoman and dates Bruce as Selina awakens his human nature in a way Vicki Vale never could—by attracting and matching both sides, bat and man. By the film’s end, he has discovered he does want someone else in his life. The Schumacher films then show him progressively opening up more.

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