By Gregory Jerome Hampton
Changing our bodies within the Fiction of Octavia Butler: Slaves, extraterrestrial beings, and Vampires via Gregory Hampton is a well timed textual content that severely situates Butler's fiction in numerous fields of analysis together with American, African-American, gender, and technology fiction reviews. with out except readers with an abundance of esoteric jargon Hampton succeeds at enticing the interdisciplinary discourses that reply to Butler's fiction. The major premise of his textual content is that Butler's fiction transforms the way in which the physique is imagined on the subject of race and gender. The arguments made in Changing Bodies assert that Butler's fiction artfully responds to a number of severe investigations of id formation. Discussions of race, category, and intercourse are reoccurring issues in Hampton's interrogation of Butler's writing and are posited as being inextricable to any figuring out of up to date physique politics and conception. This booklet is full of intriguing and insightful discussions that increase questions on what constitutes humanity in fiction and within the genuine international. Changing our bodies makes an important contribution to the scholarship surrounding some of the most insightful and proficient writers of her time and acts as a call for participation for readers in and out of the academy to find the genius of Octavia Butler
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Extra info for Changing bodies in the fiction of Octavia Butler : slaves, aliens, and vampires
Dana realizes that Rufus’s desire to possess her body has transcended any discussion of reason. Either Rufus must die or Dana must forfeit her body and identity as a free black woman from 1976. The ability to prevent her body from being raped was one of the few boundaries not yet crossed that prevented Dana from completely becoming a slave in antebellum America. In the process of defending herself, Dana stabs Rufus to death with a knife. The fear and shock of her act of lethal self-defense sends Dana to July 4, 1976 (the day of her independence), without her left arm.
Alice’s husband, Isaac, was tortured and sold further south. And because Alice was captured with the runaway slave, Isaac, she also was sold into slavery. Like Dana, Alice is forced, in the course of the narrative, to lose what little security she possessed before her encounter with Rufus Weylin. As Rufus’s recently purchased property, Alice is subject to the advances of her new owner. Alice is a slave and by law has no authority over what is done to her body in a period that allows no support by law of the agency or humanity of black female bodies.
More importantly, Dana was afraid that Kevin would be afflicted by a white male ideology from the antebellum South, one that dictated that a white male body has much more value than that of a black female body. Dana is concerned that, among other possible effects, Kevin’s entire understanding of the body will be negatively affected by the socio-historical practices of the nineteenth century. Thus, as a marker for race relations and gender possibilities of the 1970s, Kevin is in jeopardy ironically because of his race and because of his twentieth century socialization.