By Diana Newall, Grant Pooke
Fifty Key Texts in artwork History is an anthology of severe commentaries chosen from the classical interval to the past due glossy. It explores many of the valuable and rising subject matters, concerns and debates inside artwork background as an more and more expansive and globalised self-discipline. It positive aspects a world variety of members , together with paintings historians, artists, curators and gallerists.
Arranged chronologically, every one access encompasses a bibliography for additional interpreting and a key observe index for simple reference. textual content choices diversity throughout matters together with creative worth, cultural id, modernism, gender, psychoanalysis, photographic concept, poststructuralism and postcolonialism.
- Rozsika Parker and Griselda Pollock Old Mistresses, ladies, paintings & Ideology (1981)
- Victor Burgin’s The finish of artwork conception: feedback and Postmodernity (1986)
- Homi Bhabha The situation of tradition: Hybridity, Liminal areas and Borders (1994)
- Geeta Kapur When used to be Modernism in Indian Art? (1995)
- Judith Butler's Gender Trouble (1999)
- Georges Didi Huberman Confronting photographs. wondering the Ends of a undeniable background of Art (2004)
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2, 162–71. , Graziani, F. and Rolet, S. (eds) (2006) Le défi de l’art. Philostrate, Callistrate et l’image sophistique, Paris: Presses Universitaires de Rennes. Crescenzo, R. (1999) Peintures d’instruction: La postérité littéraire des ‘Images’ de Philostrate en France de Blaise de Vigenère à l’époque classique, Geneva: Droz. Elsner, J. (1995) Art and the Roman Viewer: The Transformation of Art from the Pagan World to Christianity, Cambridge: Cambridge University Press, 28–39. ——(2000) ‘Making myth visual: The Horae of Philostratus and the dance of the text’, Mitteilungen des Deutschen Archäologischen Instituts (Rom), 107, 253–76.
Pigeaud and J. Oroz (eds), Pline l’Ancien. Témoins de son temps, Salamanca: Kadmos, 431–49. Philostratus the Elder (third century CE) 7 Settis, S. (1995) ‘Did the ancients have an antiquity? The idea of Renaissance in the history of Classical Art’, in A. ), Language and Images of Renaissance Italy, Oxford: Oxford University Press, 27–50. Squire, M. (2010) ‘Introduction: The art of art history in Graeco-Roman Antiquity’, in V. J. Platt and M. 2), 133–63. ——(2011) The Iliad in a Nutshell: Visualizing Epic on the Tabulae Iliacae, Oxford: Oxford University Press.
T. ) (1999) Homer, The Iliad, 2 vols, second edition, Cambridge, MA: Harvard University Press. Newby, Z. (2009) ‘Absorption and erudition in Philostratus’ Imagines’, in E. Bowie and J. Elsner (eds), Philostratus, Cambridge: Cambridge University Press, 322–42. Onians, J. (1980) ‘Abstraction and imagination in late antiquity’, Art History, 3, 1–24. Schönberger, O. (1995) ‘Die “Bilder” des Philostratos’, in G. Boehm and H. Pfotenhauer (eds), Beschreibungskunst – Kunstbeschreibung. Ekphrasis von der Antike bis zur Gegenwart, Munich: W.
