By Noriko Mizuta Lippit, Kyoko Iriye Selden

"Here are jap girls in countless and engaging kind -- ardent fanatics, lonely unmarried ladies, political activists, betrayed other halves, dependable better halves, protecting moms, embittered moms, committed daughters. ... a brand new experience of the richness of jap women's event, a brand new appreciation for emotions too lengthy submerged". -- the hot York occasions booklet evaluation

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Furthermore, such general prejudices as the belief that women are not equipped to think originally and in abstraction, that they are too subjective and emotional to deal with broad socio-political issues, and that they are too incapable of comprehending theory to be concerned with aesthetic questions tended to discourage women from addressing themselves fully to these issues. In addition to the sociological factors that affected the literary assessment of women writers' works, fundamental ideas about women, especially the idea that "female principles" determine the nature of the Page xv imagination and thinking of women, exercised a decisive influence in shaping their works.

Putting each in a differ- Page 8 ent envelope, he took one out of the room and hid it somewhere. Otome lay in bed facing the shoji * screen but did not sleep. When Tsutomu told her to go to bed first, she was accustomed to doing so without asking any questions or going into the three-mat room beside the kitchen. Writing in a small, precise script, Tsutomu often took his left hand out of the sleeves of the nightcover and pressed the wound on his ear with his fingers. The area behind the ear was indented because the bone had been scaled off, and there gauze cloth had been stuffed in.

There has been little effort to evaluate individual authors in relation to naturalism, surrealism, or the other literary movements which are so vital in the case of male writers. Women in general are considered to live outside history, outside the strenuous effort for self-fulfillment that characterizes modern men. Women writers are still today treated separately as a group (with their own associations, literary awards, and so forth) and are evaluated according to criteria different from those applied to men writers.

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