By Von Allan

"Li'l youngsters: 'road to god knows.' adventures" are 3 brief tales that function the whimsy and beauty of being a tender lady. From assembly new associates, facing an in poor health mother, or prevailing over a foul great villain in a dream, "Li'l young ones" indicates a distinct part of being a baby. a quick tale assortment advised in comics shape, the tales all function Marie, the protagonist from the unique photo novel "the street to god knows." furthermore, this assortment gains the entire scripts plus conceptual writing for every tale and likewise historical past and proposal paintings. urged if you may have loved Terry Moore's "Strangers in Paradise", Jeff Smith's "Bone", and Mark Crilley's "Akiko."

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Example text

But Li’l Marie? Not a chance. PANEL TWO This should be a fun little panel. Marie is strongly in the foreground twisting away from her opponent. Her arms are thrown up around her head and chest. Bruiser is towering over her, roaring. His mouth is open full as he screams at her. I’m tempted to sketch out shock waves coming from his mouth and surrounding her. 1. SFX: ROOWRRRRRRRRRRRRRRRRRRR! PANEL THREE This is a close-up on Marie. She’s holding her nose with her left hand while she waves away his aroma with her right.

I’m loosely thinking of having this be the aftermath of a bullying experience and if so she could have some favourite comic torn up and left in piles around her. There’s no mention of the ball at this stage. And the bullying idea does not appear in the final version of the story. I was just trying to figure out why she’s lonely and upset and bullying seemed like an interesting way to go. As I continued the breakdown, though, I realized that bullying wasn’t something that fit in thematically with the story I wanted to tell.

The idea that hit me was that it would be interesting to show how Marie and Kelly, the main characters from the road to god knows…, became best friends. Such a story would serve as a prequel to the graphic novel and help create more nuance, too. This idea was intriguing but I didn’t really have much else to go with; when I was writing road I hadn’t given too much thought to how Marie and Kelly first met. That they were close friends was clearly important but how they first met wasn’t. They could have met six months previously or they could have been friends for their entire childhood.

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