By Stephanie Klose, Cathy Maguire
From shawls, shrugs, and stoles to ponchos, capelets, and boas—wraps are either vintage model staples and scorching add-ons of the instant. Lion model Yarn: simply Wraps positive factors an exhilarating selection of designs that mix style finesse with artistic flair.
Just Wraps includes:
• 30 unique designs together with a Western-style men’s poncho (»moncho»), and an lovable children’s capelet adorned with organza ribbon
• easy-to-follow knit and crochet instructions
• an array of recent and engaging textures to encourage the artistic crafter.
Whether casually paired along with your favourite denims or the of completion to a glamorous outfit, a wrap fits each party. Lion model Yarn: simply Wraps offers knitters and crocheters with designs catering to each attainable type and occasion.
Edited by means of specialists at this venerable establishment, Lion model Yarn’s simply sequence appeals to knitters and crocheters of all degrees of expertise.
Whether you’re a amateur or knowledgeable, this clean selection of designs for ponchos, shrugs, and wraps is a must have for knitters and crocheters of all stripes.
Read Online or Download Lion Brand Yarn Just Wraps 30 Patterns to Knit and Crochet PDF
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Extra resources for Lion Brand Yarn Just Wraps 30 Patterns to Knit and Crochet
Example text
Where women could not engage their minds and fortunes in political or philosophical debate or leadership, the fashion system offered another area where they could express themselves and feel power: their personal appearance. This kind of tension would probably not have occurred in a society where fashion was not the primary social shaping force, because the need for self-expression would not have been perceived as a norm. Fashion is often construed as an exclusively feminine preoccupation. While that has and should certainly be questioned,53 gender undeniably plays a role in how fashion manifests itself in each culture.
71 67 Lipovetsky, L’empire de l’éphémère, pp. 38–44. Lipovetsky, L’empire de l’éphémère, pp. 40–1; Baudrillard, La société de consommation, pp. 126–7. 69 Criticizing Veblen for not providing a satisfactory explanation of why fashion sometimes takes completely opposite turns, see Bell, On Human Finery, p. 183. 70 Bourdieu, Distinction, p. 249. ” 71 Lipovetsky, L’empire de l’éphémère, pp. 66, 64. 68 34 SARAH-GRACE HELLER The principle of theatricality is more able to accommodate the factors of the appeal of individual choice and the desire for newness (beyond desire simply for display).
The goal of description, Barthes reasoned, is to transform an object into language. In literature, description takes its cue from a hidden object, real or imaginary. Its goal is to make the object exist for the reader. ) Barthes gave words three functions in fashion description; these may be adapted to describe fashion descriptions in literature such as those to be analyzed in later chapters in this book. First, words immobilize perception at a certain level of intelligibility, directing the eye towards what is important to notice.
