By Sherry L. Smith
Reimagining Indians investigates a gaggle of Anglo-American writers whose books approximately local american citizens helped reshape americans' realizing of Indian peoples on the flip of the 20th century. Hailing from the japanese usa, those women and men traveled to the yank West and stumbled on "exotics" of their midst. attracted to Indian cultures as choices to what they discovered distasteful approximately sleek American tradition, those writers produced a physique of labor that celebrates Indian cultures, religions, artistry, and straightforward humanity.
Although those writers weren't academically knowledgeable ethnographers, their books symbolize renowned types of ethnography. In revealing their very own doubts concerning the superiority of European-American tradition, they sought to supply a good weather for Indian cultural survival in a global indubitably ruled via non-Indians. in addition they inspired notions of cultural relativism, pluralism, and tolerance in American proposal. For the historian and common reader alike, this quantity speaks to vast topics of yank cultural heritage, local American historical past, and the historical past of the yank West.
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Extra resources for Reimagining Indians: Native Americans through Anglo Eyes, 1880-1940
Example text
The chapters follow a geographical arc starting in the Pacific Northwest and moving out to the Northern Rockies, the Plains, California, and the Southwest. S. Wood’s earliest published works which appeared in the s and ending with Mabel Dodge Luhan’s books of the s. Furthermore, I have arranged the writers into thematic cohorts. Wood, Introduction Grinnell, and McClintock came West and into Indians’ orbits somewhat accidentally with the army or a thirst for adventure bringing about the initial acquaintance.
15 Whoever the true author of the surrender speech, there is no doubt that Wood sought out Joseph. The two men exchanged saddles. Over the years the bond strengthened. 16 The Nez Perce War, then, rather than altering Wood’s views of Indians as men and brothers, reinforced them and provided him with another opportunity to form a friendship, this time lasting, with an Indian person. The Nez Perce War also offered an outlet for Wood’s creative and literary impulses, perhaps in the surrender speech and certainly in his various newspaper accounts of the war, which represent his first published works on Indians.
For the remainder of that very long life, which included careers as a soldier, corporate lawyer, and poet, Indians played a role. Whether enemy or inspiration, they helped formulate Wood’s political and poetic point of view. Indians became exemplary foils for his brand of social criticism and prototypes for his view of alternative ways to live. Wood’s introduction to Indians, then, originated in the nineteenth-century story of conquest. But from the start he brought to the encounter a distinctive sensibility, one that set him apart from most of his fellow army officers and that would place him squarely in the company of those early twentieth-century types simultaneously drawn to elements of modernity but repelled by others.
