By Pam Allen
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Its ego evaporates in the mutability of desire, its communal spirit withers in the selfishness of obsession. Amour fou involves non-ordinary sexuality the way sorcery demands non-ordinary consciousness. The anglo-saxon post-Protestant world channels all its suppressed sensuality into advertising & splits itself into clashing mobs: hysterical prudes vs promiscuous clones & former-ex-singles. AF doesn’t want to join anyone’s army, it takes no part in the Gender Wars, it is bored by equal opportunity employment (in fact it refuses to work for a living), it doesn’t complain, doesn’t explain, never votes & never pays taxes.
We have made an emblem to serve as the mirror-image of a discarded immortality. Like demented dictators we swoon at the thought of taking it all down with us into the Abyss. The unofficial version of the Apocalypse involves a lascivious yearning for the End, & for a post-Holocaust Eden where the Survivalists (or the 144,000 Elect of Revelations) can indulge themselves in orgies of Dualist hysteria, endless final confrontations with a seductive evil... We have seen the ghost of Rene Guenon, cadaverous & topped with a fez (like Boris Karloff as Ardis Bey in The Mummy) leading a funereal No Wave Industrial-Noise rock band in loud buzzing blackfly-chants for the death of Culture & Cosmos: the elitist fetishism of pathetic nihilists, the Gnostic self-disgust of “post-sexual” intellectoids.
The last possible deed is that which defines perception itself, an invisible golden cord that connects us: illegal dancing in the courthouse corridors. If I were to kiss you here they’d call it an act of terrorism — so let’s take our pistols to bed & wake up the city at midnight like drunken bandits celebrating with a fusillade, the message of the taste of chaos. Poetic Terrorism Weird dancing in all-night computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks.
