By Boris Pasternak, Bulat Okudzhava, George Reavy, Alexander Tvardovsky, Leonid Martynov, Victor Bokov, Boris Slutsky, Yevgeny Vinokurov, Robert Rozhdestvensky, Yevgeny Yevtushenko, Bella Akhmadulina, Victor Sosnora, Andrey Voznesensky, Novella Matveyeva, Le

Twin language translation (russian and english)

selected, edited, translated and writer of integrated essay "The New traits and Voices in Soviet Poetry"

this is one other an invaluable anthology of Soviet poetry. it truly is nowhere close to as complete as "20th Century Russian Poetry: Silver and Steel" that's at the tracker. besides the fact that, this does have the benefit of being twin language, to any english conversing russian learner, and it has a pleasant essay by means of the translator.

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Additional info for The New Russian Poets: 1953 to 1966 (An Anthology)

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22 The New Russian Poets Eme B ohtch BbicoTbi: Moji, c BbicoTbi jierKO copBaTbca H B B bicb y>K jiymue He coBaTbcn... Eme B ohtch npocTOTbi: Moji, nonpocTy He CTO;iKOBaTbCH. Eme B ohtch HaroTbi, X O T b (J)HrOBbie JIHCTbl CMeUIHbl, HT06 HMH npHKpblBaTbCH. Eme B ohtch KpacoTbi, B ohtch c Hefi conpHKacaTbca: Moji, oneHb TpyAHO pasoGpaTbca, Kax 6yATO dbi b r;ia3ax abohtch Ee 6;iecT3mHe nepTbi. O T C io A a — ^AeHbji h n o c T b i. O Tbi, FIpOCTaK, H o h m h yue Tbi: Tbi b py^ H Lue jim eH H m eTbi 3 a K poxaM H B C T a e m b b x b o c t m , Kor^a KpyroM t b o h G o raT C T B a , T b o h c o K p o B w m a TaaTCH, T b o h T p y A b i, T boh m c h t h .

The poem is hardly typical of other Soviet work, and could only have been published in one of the “ underground” magazines— in this case Phoenix I. Leonid Gubanov, the youngest of all, is just beginning to publish. In his latest poems he seems to be influenced by Khlebnikov. He has already been in trouble. It is to be hoped he has a strong backbone. The themes most of these poets have in common are the memories of war and suffering, Russian nature, a sense of com­ passion for the ordinary man, a renewal of the love theme, hatred of falsehood and corruption, a desire to find a new justification and ideal for the Revolution, and the need to insist on the in­ tegrity of the artist.

I’ve been resurrected since: of normal stature, normal weight— I’ve become like other men. I’m cheerful, kind. I do not break the backs of chairs, And, nevertheless, I’m Hercules. The New Russian Poets M CHOEa B He6e BbiOTCH nTHUbi: CHHHUbI, TojiyGH, C tphjkh... ibi, tohkh, pySe^KH! 3 h , Bbi! BecCMHCJieHHO He Beifrecb! PaBHHMTecb TaM k n^eny ruieno, Ha TpeyrojibHHKH pa36ewTecb, CocTaBbTe HT0-HH6yAb em e! iH. HeyTeuiHTe^bHo! nena^bHo! B m x o a h t , h t o y n p a B b i HeT. JleT aiO T , n a n nepBO H anajibH O — ToMy H a 3a A c t o t h c h h a c t !

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