By Christopher A. Paul
"In this well timed new e-book, Christopher Paul analyzes how the phrases we use to discuss games and the constructions which are produced inside video games form a specific method of gaming by way of concentrating on how video games create that means, bring about id and department, convince, and movement principles. Paul examines the wider social discourse approximately gaming, together with: the best way gamers are socialized into video games; the impression of the Read more...
content material: advent : the hot rhetoric of games --
1. Socializing avid gamers --
2. games as 'kid's' toys --
three. speaking video game layout --
four. Consoles learn rhetorically --
five. GTA, humor, and protagonists --
6. EA activities and deliberate obsolescence --
7. Rearticulating rewards in WoW --
eight. Theorycraft and optimization --
nine. stability and meritocracies --
10. phrases, layout, and play.
summary: "In this well timed new publication, Christopher Paul analyzes how the phrases we use to speak about games and the constructions which are produced inside video games form a specific method of gaming by way of concentrating on how video games create that means, result in identity and department, convince, and movement rules. Paul examines the wider social discourse approximately gaming, together with: the way in which gamers are socialized into video games; the impression of the lingering organization of games as child's toys; the dynamics inside particular video games (including Grand robbery automobile and EA activities Games); and the ways that avid gamers perform shaping the discourse of video games, validated via examples just like the gift approach of worldwide of Warcraft and the improvement of theorycraft. total, this ebook illustrates how games are formed via phrases, layout and play; all of that are negotiated, ongoing practices one of the designers, avid gamers, and society that build the discourse of video games."
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Extra info for Wordplay and the discourse of video games : analyzing words, design, and play
Example text
Although the commercials did not show every demographic, they made a clear effort to demonstrate how these games were designed to be played by a much larger audience than just those who already self-identified as gamers. Nintendo also benefited from how the news coverage that accompanied the Wii’s release reshaped the context for the console. Many stories featured an unlikely group of players picking up the Wii and integrating elements of Wii Sports into new rituals of gaming. Coverage of seniors picking up Wii Sports to start Wii bowling leagues spread throughout major media outlets,18 supporting the overarching idea of a broad group of game players enjoying the excitement of Wii Sports.
The game is set in space, with a particularly dark motif to many of the graphics, giving the universe a dystopian feel, in opposition to the bright colors and fantasy settings of many competitors. Game play is relatively slow and key activities, like mining, are tremendous time sinks. If a player has ever expressed concern about the length of time on some of the old Kalimdor fl ight paths in World of Warcraft, 29 they would be aghast at the space flights between systems that can seemingly take hours.
The train shakes and I am left desperately hanging onto a railing—the only thing keeping me from plummeting into the chasm lurking below. These two sentences could describe many things, but in this case they depict some of the earliest moments of a player’s experience with Uncharted 2: Among Thieves. However, players could have also fi rst encountered the game in a number of other ways. They may have carefully tracked information and news about the highly anticipated sequel to Uncharted through a variety of different gaming publications.
