By Art Wetherell

This time-hopping sequence chronicles the naughty rompings of monumentally stacked English women, as they fulfill each other in a Sapphic frenzy during the a while!

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Additional info for 2 Hot Girls On A Hot Summer Night (Eros Graphic Novel Series : No 4)

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Two major art movements of the prerevolutionary period made use of the lubok in this way, to varying degrees: Alexander Benois and Sergei Diaghilev’s World of Art (Mir iskusstva) and the Russian Futurists. Inspired by the philosophy of Sergei Soloviev, and embodying some of the highest aspirations of Russia’s fin-de-siècle Silver Age, the St. Petersburg-based World of Art straddled the border between old and new, East and West, fine and applied art, high culture and commerce—laying the foundation for the much more radical avant-garde.

Furthermore, this being an age of schism, when Russian culture was split in two, we will also note the work of comics artists of the diaspora—the “Whites” who fled the Red Communists during and after the Revolution. ” This was the general picture until the ascension of reformist Communist Party general secretary Mikhail Gorbachev in 1985 and his policy of Perestroika, when comics finally shuffled off their customary shackles—though not the age-old prejudices adhering to the form. This chapter provides (can only provide) a schematic survey, filling in some of that long, colorful, often tragic, history.

Thus, for example, in pictures depicting [the folk hero] Ilya Muromets shooting his arrows at Solovei the Robber, two arrows are shown: one in the knight’s tightly-drawn bow, the other in Solovei the Robber’s eye. In actual fact this is one arrow, but by doubling it, the artist has recorded the beginning and end of its flight. Moreover, in the background of these same pictures, we often see depicted the outcome of the encounter: Ilya Muromets mounted atop his knight’s steed, on his way to Kiev, the defeated Solovei the Robber strapped to his stirrups.

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