By T. Eagleton
Myths of energy - Anniversary version units out to interpret the fiction of the Brontë sisters in mild of a Marxist research of the historic stipulations within which it used to be produced. Its goal isn't in simple terms to narrate literary proof, yet by means of an in depth serious exam of the novels, to discover in them an important constitution of rules and values which relating to the Brontës' ambiguous state of affairs in the class-system in their society. Its purpose is to forge shut kin among the novels, nineteenth-century ideology, and old forces, with a view to light up the novels themselves in a notably new point of view. whilst initially released in 1975 (second variation in 1988), it was once the 1st full-length Marxist examine of the Brontës and is now reissued to rejoice 30 years in view that its first booklet. It features a new advent by means of Terry Eagleton which displays at the adjustments that have occurred in Marxist literary feedback in view that 1988, and situates this reissue of the second one version in present debates.
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Additional resources for Myths of Power: A Marxist Study of the Brontës
Sample text
Rochester would not of course find Jane attractive if she were merely dull, but neither would he love her if, like Blanche Ingram, she were consciously after his money. Jane must therefore reveal enough repressed, Blanche-like 'spirit' beneath her puritan exterior to stimulate and cajole him, without any suggestion that she is, in Lucy Snowe's revealing words about herself, 'bent on success'. Jane manages this difficult situation adroitly during their courtship, blendingflashesofflirtatiousself-assertion with her habitual meek passivity; she sees shrewdly that 'a lamb-like submission and turtle-dove sensibility' would end by boring him.
The major historical conflict which this book selects as its focus-that between landed and industrial capital - is sharpened and complicated for the Brontes by a host of subsidiary factors. Their situation is unique, certainly - but unique in its classical condensing of an unusually wide range of historical tensions. They happened to live in a region which revealed the friction between land and industry in peculiarly stark form - starker, certainly, than in a purely agrarian or industrial area.
Jane, then, must refuse Rivers as she has refused Rochester: loveless conventionalism and illicit passion both threaten the kind of fulfilment the novel seeks for her. Yet of course Rivers represents more than mere convention. 15 The difference, however, is whatfinallycounts. It is true that Jane finds Rivers's restlessness intriguing as well as alarming: the 'frequent flash and changeful dilation of his eye',10 his 'troubling impulses of insatiate yearnings and disquieting aspirations',17 evoke crucial aspects of herself at the same time as they recall Rochester's engaging moodiness.
